i think i once heard this line attributed to Lou Reed, it went something like, “my bullshit is worth more than other people’s diamonds.” without wasting a bunch of time googling the phrase, i will guess it was during one of his contentious back and forths with Lester Bangs. this sort of sums up the Lou Reed I love. self-important, self-effacing and selfish in his music. selfish in the sense that it is overindulgent, off-putting, and at times pure noise. wonderful, nasty, pure noise. that noise that splattered the paint that formed picture that his words described. to some weird kid from Kentucky, his work exemplified everything i ever attributed to New York City. before the Ramones, before Patti Smith, Blondie, Television, Lou Reed and the Velvet Underground had me longingly wondering about the filth of the city, it’s alleyways of junkies, cocksuckers, cookers, lovers, artists and mainliners. that city sounded like the most frighteningly fantastic place on the earth. i knew it was hard being a man, living in a garbage pail. Lou told me that, but if some girl would just show up, Shelly, Candy, Stephanie, Jane, Jackie or Sister Ray, hell, it’d be alright.
the city, at some point, mainly due to pukes like Rudy Giuliani deciding that it needed scrubbing and sanitizing and turned into Disney world, changed shape from the wild decades of the 60s, 70s, 80s and lost some of that sleaze that the V.U. seemed to not-so-subtly hint at. but that being said when i step foot on the sidewalk there, in my head, it’s always contrasty black and white, i’m wearing wrap-around black shades, my collar is turned up and i searching for something, anything somewhere between white light and white heat. Lou Reed is New York City, his words, doo wop riffs and feedback are the haze that hangs over the island. everyone should have an Elvis and i’ve had more than one, including Elvis, i guess, Lou Reed you are one. now, i’m gonna do something that i do at least once every week, i am going to put on Foggy Notion and when I hear Lou chuckle, i am going to smile, ‘cept this time i will swallow the lump in my throat as i do it.
Seeing the unseeable
Filling down the void,
We’re not what we used to be
We’re not really boys.
–Unconsciously Screamin’, In a Priest-Driven Ambulance, the Flaming Lips
somehow 25 years has passed and things have changed, and things have samed. there’s always been music that mattered, hidden in the cracks of existence, in the lowest, in the best and the most mundane moments that i have been. if you took all of it, shook it out, there would be bands and musicians who probably meant the most, who were the pieces in the soundtrack in the made-for-TV movie that is my little life. the Lips would be there.