photography — with all the advances, the fact that “everyone” has access to a rather sophisticated camera on their phone, and more importantly a real willingness to use it — still relies on some tried and truisms to work as a tool of interest and art. light sure helps. shadows, too. i like lines, and if we’ve learned anything from the internet it’s that girls in a photo are capable of making said photo, er, better. or something. anyway, this wasn’t taken with a digital camera of any kind. instead taken with a Diana, with film, at the Arch in St. Louis. looks like a few people were suspect of me using this device by the stares gathered in this one frame. i guess i should have pointed my phone at them.
september 11 is an indelible smudge on the calendar. tragedy, horror, death, dirt, anger and the start of a slow, lingering move towards a new now. one of paranoia, fighting straw men and security, oh, yes, the security. we all wept for the dead and dying on that day, but little did we know that small parts of all of us were being laid to rubble, as well. metaphorically, for sure, and i surely know that is nothing compared to losing one you loved or knew–but our actual freedoms were given a bit of a sentence to die a much more slow and agonizing death. and the terrorists didn’t do that, we did it willingly. you know, for our own good.
but i am not going to use this day to grumble or to do more than remember those who passed on planes and in buildings and streets and leave it at that. oh, and recognize this as the day after the USA defeated Mexico to capture a trip to the World Cup. so maybe for at least a little while today, 9/11/13 can symbolize accomplishment not something more sinister.
settle, turn and get ready to use your left. if you aren’t stuck to deep, shoot with authority or put it back post, there should be someone on their horse getting there just in time…